Words shape our world.  What we say and the manner in which we say it invokes a quality of attention and actionable instruction.  This is true of not only teaching yoga but also pertains to all moments of exchange. Teaching yoga with subjective language, opens a unique view for students.

Subjective Language is the yin counterpart of Directive Language’s  yang. This manner of speech is qualitative in nature, it asks the student to self reflect.  Directive Language emphasizes the outer parameters of the posture, Subjective Language invites the student to observe their interior experience.

In many ways, the deeper intent of yoga is to develop self-awareness, to recognize one’s bright strengths and shadowy impulses with equanimous attention. While much of the deeper work of self-awareness happens in meditation, Subjective Language can begin to build that bridge and generally constitute about 20% of class instruction.  

Teaching yoga with Subjective Language is best suited for quiet moments of composure versus more dynamic or demanding sequences. However there are exceptions to this guideline.

Two common arenas in which to apply subjective self reflection:
  1. During more intense postures (such as Warrior One) invite students to soften mental effort or cultivate a more neutral perspective. While the physical pose may be quite active, the mental pose is relaxed.
  2. During more relaxing postures ( such as Child’s Pose) invite them to soften effort, reflect on their felt-self, or breath smoothly. Become aware of how you are feeling and breath into it.
Examples of how to cue subjective experience:
  • Invite rest
  • Ask students to observe the interior posture
  • Surrender more fully to the posture
  • Soften the mental edges of resistance in the pose
  • Give the students assignments such as “ease your way into the posture one breath at a time”

  • Reflect on the effect of the previous posture
  • Refine the quality of your breath
  • Keep the physical posture strong and stable as you relax mentally
  • Teach meditation


As yoga teachers we create a container for people to experience greater joy and become more embodied.  The words that we use help shape that experience.  We can accomplish this by teaching yoga with Subjective Language.

The words we use and the associations attached to those words tell unique stories. How we use words and language communicates a particular relatedness and brings forth certain possibilities; ranging from confusion to revelation. The language of yoga teachers creates a unique reality.

Encoded within a language is a unique history, set of values and cosmology. For indigenous tribes of the North West their names for a particular plant indicates: what it looks like, the season it grows in, where it is typically found, if it is edible or not, and possible medicinal properties.  The name may also carry mythological significance, which unpacks yet more layers of significance.

Conversely, the name of the plant “Scotch Broom” doesn’t tell you as much.  Maybe it came from Scotland? Though I do see how it could be used as a broom.

As students of yoga, we can be thoughtful about the words we speak and the effect they have; even more so when using the language of yoga teachers.  This can be a little daunting for newer instructors.

This is certainly understandable and very common. In the beginning, teacher training students struggle to translate their own thoughts and words into a corresponding response in someone else’s body.  They may know what they mean but it does not always register for the one who hears them.  

Clear communication is the difference between
saying the “right words” and being heard and understood.

With time the aspiring student learns to use the language of yoga teachers more effectively.  They learn to communicate not only the basic instructions about how to get into and out of a posture but they learn to do so with grace and poise.

They come to read the expression on people’s faces with greater clarity, observe bodily posture, and interpret subtle cues in how students breathe.  All of which inform their spoken instructions 

Ultimately, the job of a yoga teacher is to invoke an experience inside of the student.  They can guide them to recognize deeper parts of themselves not only through the techniques but also through the thoughtful use of language.  The words we speak awaken a particular reality.

 

I have been in the yoga teacher training trade for almost 20 years.  The first training sessions were nowhere near as polished and the current program.  Still, the students loved the spirit of the training, even with the rough edges.  Initially, practice student teaching was an afterthought and now it is a mainstay.  Yoga teaching language is one of the most important skills we present.

While 65% of people learn visually, 5% kinesthetically, and 30% auditorily, the great majority of yoga instruction happens on the auditory leve.  A teacher projects their presence and voice into the room.  As such, what you say, and how you say is critical and it happens on a variety of levels.

Perhaps you have experienced a class where the teacher gracefully cued you into a pose, offered whimsical metaphors, challenged you, and helped you to feel ‘whole’.  Chances are pretty good that did not happen by accident, there is a method to how they use yoga teaching language.

There is a method to how they use yoga teaching language.

In this series we will look at three principles of yoga teaching language.  For today we will look at Directive Language.

Number One: Directive Language 

Directive language makes up roughly 80% of posture instruction. It is the most base-line aspect of teaching.  The goal of directive language is to provide clear instruction – the teacher is clear in their intent and the student is clear on what to do.

Contrary to directive instruction, is ambiguous speech which consists of filler words such as “umm”, “like”, “sort of”, “kind of”, “now we’re gunna”, or excessive use of gerrings.  

Gerrings are words that end in “ing” and are to be avoided.  It is the difference between “Lifting” and “Lift”;  “Stepping forward” and “Step forward”;  “Opening your top chest” and “Open your top chest”.  Can you hear the distinction?  One is more passive and the other more declarative, which is important if you want to guide a group of people.

Another enemy of Directive Language is to state the overly obvious and or vapid.  Cues such as “feel the stretch” in a forward fold or “feel your back” in cobra pose detract more than they add. After holding warrior three for 45 seconds, why remind people that “this is a hard pose”?

“What does not add subtracts”
– Aristotle

In addition to making instructions clear, directive language moves the class forward.  Every word serves a purpose towards a specific end. The end goal could be a particular posture, a final meditative practice, or to learn a key physical action.

Economize words and learn to cue with brevity.

Directive language is quantitative  You can count, measure or specifically apply the instruction.